Hello blog!! I'M BACK! After like 6 or 8 months of summer and marching band and school and marching band and school and school and marching band and school and school and school I am back and ready for my grand return to this lovely blog :D I'VE MISSED IT SO MUCH!! This whole week I'm going to be making posts every single day for my A media midterm :) I just finished a super awesome documentary project like 2 weeks ago and now I have to..document it! The whole process! The whole shabang :D! Booyah!
A LEVEL MEDIA B.D: BEFORE DOCUMENTARY
So a few weeks before we even started the project, we watched a couple documentaries in order to get a pretty good idea of how they're made, learn about their conventions, and gather some inspiration for our own! We watched two full length docs and I watched two op-docs from New York Times. What the helly were those documentaries Emi??? What pieces of work inspired YOUR super awesome work?? Well you're in luck lovely viewer :D It is now time for me to talk about each of them in depth in order to pass this midterm! HERE WE GROW!
DOC #1- ABSTRACT
This documentary is insanely cool let me just say that right off the bat 😛😛 It's an episodic doc that delves into all things art and design by featuring people from all kinds of jobs within the field in each episode. The episode we watched as a class was about Ruth Carter, a really cool and awesome costume designer who's mainly known for her work in Black Panther. We were also assigned to watch an episode on our own time for a homework assignment and I chose to view the episode on Paula Scher and graphic design :)
Throughout our class viewing of Ruth Carter's episode, we were encouraged to be on the look out for any prominent techniques and conventions used to better understand the documentary genre to gather inspiration for our own films and answer homework questions pertaining to the contents of the piece :D One technique that stood out to all of us in the entire class + tstok herself were the animated sequences incorporated within Carter and Scher's interviews! In many parts of their extensive explanations of their super cool processes and work, colorful animated sequences were put it instead of usual run-of-the-mill b-roll. This might have been because they didn't have any appropriate footage left in store for their topics. Not only that but these sequences are also very on brand :D Considering that Abstract's branding is all colorful, artsy, and polished, it made perfect sense for them to incorporate these types of sequences into their episodes :D!
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Some sequences! (SO COOL)
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As another substitute for B-roll, we also noticed that Abstract likes to use archived footage and photos, primarily of the featured interviewee from their early days of life or their family or oldy moldy stuff like that since obviously the camera crew can't go back in time and film the past lmaaoooo imagine doing that thats crazy lmaooooooooo 😹😹 Apart from everything else, Abstract uses a plenty amount of conventions that really sell it as a full one hundo 100% documentary. These include AHEEMEMMMMMM lemme get some water: Interviews progressing story, shorter than full length films, hand held camera, selective editing, graphics, music, re-enactments, indirect interviews, voiceover narration, annnddd most of all...B-ROLL! Yup it has been proven folks this documentary is very much so a documentary! WAHOO!!
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| Ruth Carter in all her glory |
After both of my viewings of Abstract, I felt quite inspired and had a much better idea of what specific techniques documentaries need and what specific techniques would be good in making my own project looking pretty awesome. Renn and I got the idea of adding in my drawings as B-roll within our final project from this lovely documentary :D Thanks Abstract! I love being reminded that I can insert my silly lil drawings in just about anything I make! Mwah thank you love ya! But yeah, out of every other documentary that I have watched in preparation for the actual project, I'd have to definitely say that Abstract is my absolute favorite out of all of them. GUYS ITS SO COOL ITS SO COOL GO ON NETFLIX AND WATCH NOW ITS SO COOL !!!! !! ! !!! ! ! !! ! !
DOC #2- AMERICAN PROMISE
I LOVE THIS DOCUMENTARY GUYS. HOP ON TUBI WATCH IT RN ITS SO AWESOME. This masterpiece is a full on, full fledged, non episodic documentary :D The film is not only 1 hour but a full 2!! (and like 22 mins). We spent multiple class periods watching American Promise, and all I have to say is that I wish it was longer.
This documentary follows the lives of two boys over the span of 13 years from their K-12 years, Idris and Seun. The life of these two guys in the school system was pretty difficult and this film did a good job in showing that. The homework stress, racial concerns and discrimination, girl problems, personal life events like a death in the family, and soso much more was included, which along with shaky shots, not so high quality footage, and natural lighting really added to the authentic, raw feel that the directors were likely going for. All this combined is actually called Verite cinema!! Verite cinema is pretty cool, it made me 10x more immersed in this documentary, it like genuinely felt like I was watching the unfiltered personal lives of the two boys, like I'm right there with them and UAAAGHJHHH I LOVE THAT AUTHENTIC FEELING!!! AUTHENTICITY!! THATS WHERE IM AT GAH I LOVED IT.
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| The siblings ever |
Apart from the super awesome use of verite cinema, American Promise also follows a heck ton of conventions that do a successful job in making it still fit under the documentary genre :D This includes indirect interviews, direct interviews, voiceover, music, annnddd most of all! B-ROLL! Unlike Abstract though, this documentary doesn't have any flashy, impressive graphics because it isn't really needed :D For this film, editors had to sift through HOOOOOURRSSS of footage so they had plenty of B-roll to work off of for each interview and whatever else it may be :D Also even if they did include animated sequences it wouldn't really be on brand. This documentary aims for pure rawness and authenticity, and that tone can't be clearly created with a polished animation.
After my viewings of American Promise, I truly felt like I had to go out out there and make the most out of my life and truly appreciate each and every little thing in it. This documentary showed (to me) that life is soso beautiful, even the ugly sides of it all. From every single lense, the beauty of being alive can never ever be dimmed or taken away :D This piece also allowed me to see a truly different type of documentary. All the ones I have watched throughout my life have been super duper professional and clean and polished and filled with Morgan Freeman narrations but this one was different :) I loved branching out and watching something different and feeling inspired by it :D! EVERYONE GO WATCH AMERICAN PROMISE!!
DOC #3- EXIT THROUGH THE GIFTSHOP
This documentary was truly a doozy. I didn't hate it but I also didn't love it as much as the other two either silly face. I know this was made to point and laugh at Mr. Brainwash (Thierry Guetta) but I just felt myself being a bit pissed off at the end when they showed him succeeding after not actually truly making art of his own. But that's just me!! Banksy, you have such a good reason for genuinely crashing out and making a whole "loolllll look at this loser" diss doc about Thierry but to all the Mr. Brainwash lovers out there, just know that I am not out for your guts. We just think differently.
Like I said like 50 words ago, this documentary basically follows the journey of street artist, Mr Brainwash, whose real name is Thierry Guetta. The piece begins by focusing on other street artists, like your run of the mill sloppy joe, Mrs. sloppy joe, and the glamorous Shepard Fiery and Banksy. Throughout this all, Thierry is the lovely camera man filming the street artists. He expressed before that he loves to film and literally all he does is film film film with his cheap lil camera he probably got from dumpster diving in Detroit at 3 am. At a certain point in this doc, the focus begins to shift from other street artists to Mr. Guetta himself as he becomes inspired enough to become a street artist. Annnd yeah then he becomes super big and stuff by creating and opening a gallery that made big bucks! The best and funniest part about this is that he did not make the art! That being the reason why Banksy took a giant shit on him throughout this piece! Booyakasha!!!!
Just like American Promise, this documentary has that raw and authentic (verite) feel that I love so very much. I could definitely say that my favorite part of all time in the entire film is the intro with all the footage of street artists doing their street artist thangs. It felt super exclusive and special seeing the guys who paint on the walls actually painting on the walls...it like kinda felt like something that I wasn't supposed to see ya know? Like something super duper secret and kept behind super duper omega secret doors. SO COOL!! Aside from super duper awesome verite cinema, this documentary also has its hella amounts of conventions that sell it as a documentary even though its literally just a Thierry Guetta diss track disguised as a huge "freak you." These conventions include music, montage, direct interview, voiceover, indirect interview and BBBBBBBBBBB-ROLLLLLLLLLLLLLLL!!!! We love B-roll, you love B-roll, I love B-roll, we allll love B-roll!!!
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| bruhhh look at this bummmm |
We took like 2 or 3 periods to watch this entire documentary and by the very end of it, I felt kinda..confused?? The ending was very abrupt and left me all like HUH?????? But that was actually a good thing in the end cause it lowkey inspired Renn and I to do a really weird, sudden ending in our project! Thank you Exit Through the Giftshop for being weird!! Mwwwwwwahhhhhhhhhhhhh!
But yeah genuinely apart from how disappointed and confused this doc made me, I actually really liked it and it made a pretty big impact on the project Renn and I ended up creating :)))
DOC #4 and #5- NY TIMES OP DOCS!
So right around Halloween, Tstok tasked us to go on New York times and watch 2 op-docs and answer some questions about them :))) Since I have to talk about all the docs we watched in class and the ones I watched independently, I gotta talk about these tiny lil thangs!! Just to get that A!! Midterm I'm coming for you! WATCH OUT!!
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| son im crine sonn whos she sonnn lmaoo |
ELLIS ISLAND: This op doc was quite unique and a teeny tiny bit confusing to me at first watch. It is literally just static images of abandoned Ellis Island and some archived footage from the past, statically moving with voiceover from interviewees who were actually there when the Island was functioning and taking in immigrants way back in the stone age when I literally was a shred of air. The tone of this doc was what most got me. Every single picture incorporated in the piece was black and white and kinda grainy, low quality-ish, giving that somber, very sad, kinda a bit scary, creepy tone. Like I'm not supposed to be there. I'd say this doc is a bit unconventional considering the lack of video, music, interviews showing interviewees' faces, all that shabang. And for its unconventionalness, I found this one to actually be really cool in the end :D Who knew docs could literally just be creepy pictures of an abandoned building with old people talking over it?? Not me thats for sure!! I'm looking at you Morgan Freeman.
ROACHES LULLABY: This doc was incredibly amusing I'd say it's definitely one of my favorites out of all the ones I talked about here. Which is funny! Cause I hate cockroaches! Like really hate em!! If you couldn't already tell, this documentary is basically all about New Yorkers dealing with cockroach infestations in their apartments. That's literally it (she said while laughing). Thank you Roaches Lullaby for making the experience of having roaches in your home seem very lighthearted and humorous I genuinely had such a great laugh!!
No but actually, I feel like if I were a documentary, I'd be this one. It's so silly and goofy and it literally has a song in the middle of it that has lyrics probably shitting on cockroaches which I absolutely adore. Unlike Ellis Island, this one is a lot more conventional as it includes indirect interviews, B-roll, voiceover, and music :DD! This was a really fun watch and I truly am on the look out for any other pieces of media that have the same exact vibe as this one.